Lewis’ practice explores the realities of, and tensions between, perceptions of male bodies – of the self and other – as a site of desire and disgust, delving into the psychology of physicality and relationships. In doing so, he asks the viewer to consider questions of identity, sexuality, and the many forms of dissonance or resonance between internal and external realities.

Many of Lewis’ artworks are psychosocial constructions which draw from his lived experience, often simultaneously contributing to societal discourses around matters which he finds pertinent. Unapologetically depicting bodies and queer intimacy – whether as phenomena of pleasure or pain – elevates the visibility of matters which were historically considered improper, immoral or even illicit, and still are classed as such by some communities domestically and globally, even today.

As a creator of narrative and conceptual artwork realised as figurative forms, Lewis employs several processes. Drawn for opposing reasons to dry media – for its impermanence – and print making – for its permanence – he is currently actively experimenting with painting, metalpoint, and sculpture too.

Living in southwest London, Lewis is a Fine Art student at the Royal College of Art, where he is undertaking a Graduate Diploma in Art and Design. He holds two science degrees and formerly excelled in a healthcare-centred career. His non-traditional background outside of the arts gives him a wealth of first-hand experiences and unique perspectives to bring to his creative practice.